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Title Dissonant entanglements and creative redistributions | ||
Full text
https://forces-of-art.org/book; https://hdl.handle.net/1887/3221246 | ||
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Date 2020 | ||
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Author(s) Naeff, J.A.; Ree, A. van; Sipkes, L.; Strava, C.; Tromp, K.; Westmoreland, M.R. | ||
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Contributor(s) Kuoni, C.; Baltà Portolés, J.; Khan, N.N.; Moses, S. | ||
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Abstract This study aims to better understand how international cultural funding shapes opportunities for organizations to grow as generators of creativity able to provide transformative experiences for local audiences. It analyzes the experiences of four cases located in the Middle East and North Africa region, namely<a href="https://www.atelierobservatoire.com/">L'Atelier de l'Observatoire(Morocco),<a href="https://clownmein.com/">Clown Me In(Lebanon),<a href="https://bantmag.com/">Bantmag(Turkey), and<a href="https://volunteerpalestine.com/">Volunteer Palestine(West Bank). Although the Prince Claus Fund, Hivos, and European Cultural Foundation (ECF) have sought alternatives to the neoliberal instrumentalization of their funding measured according to the rubrics of impact, our research shows that organizations still struggle with the need to appeal to international funding bodies while also focusing on their work as embedded in local conditions. - Global Challenges (FSW) | ||
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Subject(s) Impact; Instrumentalization; Entanglements; Affect; Cosmopolitanism | ||
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Language en | ||
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Type of publication Part of book or chapter of book; info:eu-repo/semantics/bookPart; Text | ||
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Format application/pdf | ||
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Source Forces of Art: Perspectives from a Changing World | ||
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Rights https://hdl.handle.net/1887/license:4 | ||
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Identifier isbn:9789492095893; eisbn:9789492095992; lucris-id:331365109 | ||
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Repository Leiden - University of Leiden 
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| Added to C-A: 2023-01-31;10:52:10 |
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